Canon Xf Mpeg2 Decoder

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Free canon xf mpeg2 decoder is not installed download software at UpdateStar. Installing and Uninstalling the Canon XF Utility (Macintosh) Solution. When installing Canon XF Utility, Canon XF MPEG2 Decoder is also installed.

Custom Haswell z87 i7 3.9Ghz 4770 System SSD, RAID SSD, RAID HDD 16GB DDR3, Thunderbolt, Nvidia GTX 970 G1 Maxwell GPU Lightworks Pro with DNxHD license Resolve 12.5 with OxygenTec ProPanel X-Keys Pro 68 key USB Jog/Shuttle controller 2 x 24' HD GUI, 24' 10bit IPS Reference Monitor 12G Decklink 4K SDI ProHD-Link ProDisplay Port Sony 55' X9000B 4K Client Monitor Sony Super 35 HD camera with Atomos ProRes Recorder 4x4' matte box/follow focus. Zeiss 'Contax' FF primes with Metabones 'Speed Booster' Rode NTG-3/I-Rig XLR Phantom preamp HDvideo4K.com. Custom Haswell z87 i7 3.9Ghz 4770 System SSD, RAID SSD, RAID HDD 16GB DDR3, Thunderbolt, Nvidia GTX 970 G1 Maxwell GPU Lightworks Pro with DNxHD license Resolve 12.5 with OxygenTec ProPanel X-Keys Pro 68 key USB Jog/Shuttle controller 2 x 24' HD GUI, 24' 10bit IPS Reference Monitor 12G Decklink 4K SDI ProHD-Link ProDisplay Port Sony 55' X9000B 4K Client Monitor Sony Super 35 HD camera with Atomos ProRes Recorder 4x4' matte box/follow focus. Zeiss 'Contax' FF primes with Metabones 'Speed Booster' Rode NTG-3/I-Rig XLR Phantom preamp HDvideo4K.com.

A few questions. First of all, thanks for the input and please forgive my lack of knowledge as I get up to speed on these things. How time consuming is the transcoding process? Lets assume I am going from the mpeg-2 format of the XF-105 to ProRes. Do I lose quality (appreciably) during the transcoding process? So, would I have better quality if I beefed up my editing rig to work directly with the native format of my camera as opposed to transcoding to ProRes? How much machine (Currently, I have an i7 w/ 6g of ram and an nvidia gts250 with 1g of memory, I'm going to look into automatically including these specs in my posts like some of you do) would I need to work with the native format in an 'efficient way'?

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@ozsteam - What do you mean by 'gain editability'? Are we talking strictly about speed, or do I gain or lose edit functionality depending on the format I am using? Thnx again, really looking forward to playing with LightWorks.

MPEG 2 (like AVCHD) is a inter-frame acquisition/delivery codec. It uses a type of very clever video compression where some frames are predicted from earlier or subsequent frames.

This is ideal for acquiring footage in cameras or for delivery formats for the Web, DVD or BD because the prediction means that the video is highly compressed. But when it comes to editing, all that complex prediction of frames from other frames makes the CPU have to work a lot harder to edit it. It can be done if you have enough CPU power, a fast SSD system drive, 10,000 rpm media storage HDD (and and i7 is pretty good CPU so you should be OK).

BTW, note the article on RedShark News about a 1TB SSD drive that costs a 'mere' $600 so it won't be long now before we will able to use fast SSD drives as media storage drives too. Transcoding to ProRes converts the MPEG 2 inter-frame prediction codec to an 'intermediate' or editing intra-frame codec where every frame is complete without prediction from other frames.

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That makes editing much easier on system resources. The file sizes are much bigger though. And transcoding does take time so its best done while you do something else. MPEG 2 and ProRes are both not lossless. So there will be some sort of loss of data during the transcode process.

The question is: Is it visually lossless-is there any noticeable loss of visual quality? Others on this forum are more qualified than I am to comment on this.

All I can say is that ProRes (like DNxHD) is a professional codec-both are industry standard intermediate codecs-and my guess it will be pretty good at minimising loss of quality. See this Wikipedia article about. Quality loss can also be minimised by exporting an uncompressed (YUVY) master when the editing is done.

Description The Canon XF305 Professional Camcorder features 50Mbps MPEG-2 4:2:2 recording to Compact Flash (CF) cards for unsurpassed image quality and efficient, robust workflow at an affordable price. It is ideally suited to match the requirements of electronic news gathering (ENG) crews, independent filmmakers, documentary producers, event videographers and military agencies. Utilizing file-based MPEG-2 compression with an MXF File Wrapper ensures the widest compatibility with existing industry infrastructure, metadata and non-linear editing (NLE) systems.

And 4:2:2 color sampling provides ultra-fine transitions in tone and color for maintaining the highest quality image for use in advanced post production. A newly developed Genuine Canon 18x HD L-Series lens along with three Canon native 1920 x 1080 CMOS Image Sensors delivers pristine image quality. Incorporating industry-standard HD-SDI output, genlock input and SMPTE time code input/output terminals makes the Canon XF305 perfectly matched for live application and multi-camera shooting. The XF305 also offers multiple recording bit rates, resolutions and variable frame rates to expand your creative flexibility, and allow you to work in virtually any production environment. And complete customization over the image, display and operation makes the XF305 a camcorder that can be tailored to fit your individual needs. Features.

MPEG-2 4:2:2 50Mbps Codec (Canon XF Codec). Record to affordable Compact Flash Cards. Major NLE Software Compatibility.

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Genuine Canon 18x HD L-Series Lens. Three Canon Native 1920 x 1080 CMOS Image Sensors. Industry Standard HD-SDI Output, Genlock & SMPTE Time Code and Other Terminals. Multiple Recording Bit Rates, Resolutions, and Variable Frame Rates. Canon DIGIC DV III Image Processor. Brilliant Ergonomics. Large, 4.0-inch, 1.23-megapixel LCD Monitor and High Resolution, 1.55-megapixel EVF.

Exceptional Customization. Workflow. Audio System. Additional Features. Specifications Main Unit Specs Standard Definition or High Definition: High Definition Power Supply (rated)7.4V DC (battery pack) Video Recording system: Compression: MPEG-2 Long GOP Color Space: 4:2:2 (at 50Mbps recording) File Format: MXF Recording Modes: 50Mbps (CBR) 4:2:2, 1920×1080, (60i/30p/24p), 1280×720 (60p/30p/24p); 35Mbps (VBR) 4:2:0, 1920×1080 (60i/30p/24p), 1440×1080 (60i/30p/24p), 1280×720 (60p/30p/24p); 25Mbps (CBR) 4:2:0, 1440×1080 (60i/30p/24p) Audio Recording system: 2-Channel, PCM digital recording, 16-Bit; 48kHz Image Sensor: (3) 1/3-inch CMOS Total Pixels: Approx.

2.37 megapixels (2044 x 1160 pixels) each x 3 Effective Pixels: Approx. 2.07 megapixels (1920 x 1080 pixels) Maximum recording Time: 128GB Compact Flash (CF) card Greater capacity is possible when two cards are used.